This design concept has three components:

  1. light emission and transmission
  2. light reflection and refraction
  3. pitch or harmonic dispersion

and the following construction characteristics:

The door is of a swing-type configuration. No latch is necessary. Its swinging mechanism will function in either direction with a spring-loaded or tensioned return to center. The door’s swing axis is inset from the door’s edge approximately one-fifth of its overall width.

The door’s “body” is constructed of a wood-over-metal frame. The interior space of this enclosure functions as an acoustical cavity. The frame is fitted with one or more piano strings of lengths corresponding to pre-selected pitches, intervals or chords and a striking mechanism which operates with the door’s natural motion and inertia. A vertical opening of approximately two inches width by 54 inches height with a grille of either acoustically transparent fabric or perforated metal, comprises the cavity’s “sound vent”. This aperture provides both service and tuning access for the sound producing mechanism.

The door’s edges are equilateral, non-silvered glass prisms. The corner sections where the prisms meet form compound prisms or “achromats”. LED strip lighting is located beneath the prism edges, installed in the door’s frame. A small motion sensor mounted in the wall proximate to the door switches the lighting upon approach from either or both sides of the portal. For dual operation, one sensor with a bi-directional lens or two discreet sensors could be used. The door could also be configured to react to other stimuli: temperature, time or input from remote sensors.

The door frame also houses three half-round reflectors, located on the top, left and right sides of the frame facing the door’ edges. The reflectors are made from Alanod reflective aluminum (type miro 27) and cover the width and height of the door opening. The door threshold is similarly fitted with a reflector, albeit not a concave one.

The door’s axis is a stationary, hollow stainless steel tube through which all necessary electrical wiring passes. The door itself rotates on bearings fitted to this shaft. The shaft penetrates both the top and bottom prisms, as well as the top half-spherical and threshold reflectors. Anchor points are in the actual frame material located behind the reflective surfaces.

The design will function in the following way:

When not in use, sunlight and ambient room lighting will be refracted by the door’s prism system and transmitted by the reflective elements of the door frame, causing the door’s perimeter to issue a luminous glow. Upon approach, the in-wall motion sensor will activate the door’s lighting system. As the door is swung, the harmonic mechanism will radiate musical tones. These tones will vary in intensity according to the amount of force exerted upon the door. The sound mechanism would also likely respond to knocking or other gentle motions.

The light output will be refracted at angles into and out of the room first by the prism mechanism and will follow the door’s entire path of motion. As this refracted light moves over the width of the concave reflector mechanism, the angle of incidence to the half-round reflector will change, causing a second path of reflections to reach into and out of the room at multiple angles.

As the reflector design is rounded, these compound reflections will produce patterns of light and color up to the point at which the door reaches a position perpendicular to the frame. Upon reaching this limit of travel, the light elements will then be fully within the entered room’s boundaries, thereby lighting the entered space with a soft glow. As the door motion reverses, so will the patterns of light until the door returns to rest in it’s centered position.

©Vox Manufacturing, LLC All Rights Reserved.

 

vlink="#999999" leftmargin="2">

Sonus Portal

“Door to Paradise” designboom/COCIF competition 2005